When I interview artists and authors before I photograph their portraits, the first question I ask is whether the person I’m photographing has any special requests, ideas, or preferences, far before I take out my camera.
Children’s book author/illustrator/sculptor (narrowing this fellow into a category is a challenging task) Adam J. B. Lane‘s request was a creative stretch for this portrait photographer: he asked if I could take his photograph without the viewer really knowing what he looked like, so that he could be passed by unrecognized by someone seeing his portrait the moment before.
Curious, I asked why. Adam said he was influenced both by the legendary radio producer Ira Glass and also the author Daniel Handler (“Lemony Snicket”) who felt that viewing the physical appearance of a formerly faceless narrator robbed a story of some abstraction and potency. Adam had always personally found the difference between the impression created by the work and the author in reality a bit of a disappointment, and preferred to be photographed in a way that left something to the imagination.
So I took the approach of letting the images reveal the author primarily through his activities and the wonderful textured environment of his home studio, rather than the entirety of his face. I lit enough of Adam to pull him away from his background, but not enough to define his features. His illustration work is dark and contrasty, and I mirrored some of that feeling through to the photographs.
Adam recently published Stop Thief, a story of a little boy who takes off after a stuffed animal snatcher. His illustrated books are aimed at children, but have a chiaroscuro palette often associated with darker themes. The Lemony Snicket influence shines though Adam’s color choices.
The product of both a British and American upbringing, Adam was heavily influenced by comics throughout his childhood and maintains that his success communicating with children comes through a strong case of arrested development. As a child, he remembers not being able to conceive of adulthood and was terrified that life would end after his bar mitzvah, around the age of thirteen.
Later, Adam went on to write and illustrate for the Harvard Lampoon, and upon graduation, moved to Los Angeles to work on Disney feature films.
While at Disney, Adam started going to book stores to do research on what kids wanted in their favorite stories, and fell in love with picture books. He delved into creating stories because he wanted to do something for kids and parents to actively do together, and to be part of the magical relationship of a parent reading a story to a child.